The sari warriors Reviving forgotten weaves and experimenting with warps and wefts—the sari has a saviour for every letter of the alphabet


Silk and tussar seem to be the most favoured yarns for sari revivalists. Photo: Priyanka Parashar/Mint
Silk and tussar seem to be the most favoured yarns for sari revivalists.

According to Rai, while it is great to see designers and revivalists working with the weavers and helping them by introducing new yarns and designs, so that the sari does not die out completely, she is not entirely sure that design interventions always work. “It is not always necessary to modernize or contemporize a weave or design patterns. Too many design changes can completely kill the creativity of the weaver.”
Kolkata-based designer Sabyasachi Mukherjee understands this, and for his Save the Saree project, he tends to keep his design inputs to a minimum. “I only curate or give inputs into aspects such as colour, etc., and not more. The idea is to keep it authentic and traditional. There is a lot of cross-pollination of weaves taking place due to commercial pressures and fusion has slowly started to overtake purity. I want to make tradition more important than fusion once again, and provide longevity to traditional weaving practices.”
Whichever way you look at it, “the pleasure of draping this unstitched, fluid garment over and around the body” is unmatched, according to Chishti. We agree and went hunting for designers who are working with weavers to create new saris and preserve old ones. Now you can do your bit to save the sari.

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